Biblical Authority in Emerging Christianity

I have written several times about the foundationalist nature of theology and scripture in modernism. Liberal theology looks for a universal experience common to all humanity as its foundation for theology. The universal experience becomes the interpretative lens for doing theology and usually reduces scripture to a high expression of the universal experience, but it ceases to be truly authoritative.

The conservative method views scripture as a theological erector set. Scripture is a disconnected set of theological truths that must be formed into an all-encompassing, bomb-proof, systematic theology. This tends to elevate the resulting system as the lens for doing theology, and the system takes on an authority over and above the scripture itself.

So what is the alternative? I just finished reading “The Character of Theology: A Postconservative Evangelical Approach,” by John R. Franke. He gives a one-paragraph summary of how the authority of the Bible can be understood in a postmodern era:

080102641501_sclzzzzzzz__1_1 N. T. Wright suggests a model of biblical authority that moves along similar lines. He uses the analogy of a five act Shakespeare play in which the first four acts are extant but the fifth has been lost. In this model, the performance of the fifth act is facilitated not by the writing of a script that “would freeze the play into one form” but by recruitment of “highly trained, sensitive, and experienced Shakespearean actors” who immerse themselves in the first four acts and then are told “to work out a fifth act for themselves.” The first four acts serve as the “authority” for the play, but not in the sense of demanding that the actors “repeat the earlier parts of the play over and over again.” Instead, the authority of the extant acts functions in the context of an ongoing and unfinished drama that “contained its own impetus, its own forward movement, which demanded to be concluded in the proper manner but which required of the actors a responsible entering in to the story as it stood, in order to first understand how the threads could appropriately be drawn together, and then to put that understanding into effect by speaking and acting with both innovation and consistency.” Wright then suggests that this model closely corresponds to the pattern of the biblical narratives.  (p. 162. Franke is quoting from N. T. Wright, “How Can the Bible Be Authoritative?" Vox Evangelica 21 (1991): 7-32. The quotes are from pages 18-19.)

I gave my interpretation of this perspective in three posts when I first began to blog in June.

Divine Composition
Missing Pages
The Ultimate Family History

Generous Orthodoxy will begin a discussion of Franke’s book next week. They plan to review the book a section at a time, and I get the impression that they expect to be at it for weeks. You still have time to get the book and wade in. I want to invite you all to join in.


Comments

3 responses to “Biblical Authority in Emerging Christianity”

  1. The issue I see with the Shakespeare analogy is the reference to “highly trained, sensitive, and experienced Shakespearean actors”.
    The question becomes highly trained by whom? In what school of interpretation? What are their working assumptions? Are actors any more likely to be able to correctly figure the text than readers or viewers? I mean, even though Shakespeare was an actor, actors often have one set of skills where this requires a different set. Shakespeare apparently had both.
    Not to quibble, but the involvement of highly trained, sensitive, and experienced theologians hardly guarantees a continuation that follows in the spirit of the original. We have all seen occurrences where the highly trained, sensitive, and expereinced are collosally wrong. It also implies a prerequisite for understanding that I’m not sure exists. I’d surely not want a situation where a guild of these “actors” were the ones responsible for disseminating biblical interpretation — as opposed to it being the responsibility of all believers.
    I’m by no means knocking education — but the texts of the Bible, the texts of the reformers, the texts of historic figures such as Luther, Calvin, Edwards, etc. are all plainly comprehensible with work to anyone who desires to do the work. Theology, on the other hand, employs guildspeak to keep the undesirables out — i.e. it uses terms that are peculiar to the discipline that are made up — that then control the flow of the discussion.

  2. This is why I love blogging. Thanks for these observations. I hadn’t come at it the way you did but I see your point.
    I take the analogy to mean that the community of believers are the highly experienced, sensitive, and experienced actors, not a specialized elite. This is just a one paragraph summary and I think in the larger context of what both Wright and Franke have written, they would not give the same impression you got from this one paragraph.
    Another weakness to this analogy is that Shakepeare is dead and the author of scripture is not. We have the author along with us who is inviting us individually and corporately into the story. Again, I think these guys address these issues but not in this one paragraph.

  3. OK. I should not perhaps jump to a hasty conclusion based on a paragraph. It was just the immediate issue that came to mind.
    You’re quite correct with the second problem of the analogy as well. (Of course, no analogy is perfect).

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